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The Quick and the Dead: Artists and Anatomy, by Deanna Petherbridge, Ludmilla Jordanova
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The human body has long been central to Western art, and in order to represent the body in all its manifestations many artists have studied anatomy: dissecting the dead to better depict the living. The Quick and the Dead focuses on a range of artists, among them Leonardo da Vinci, Michelangelo Buonarroti, Albrecht Dürer, William Hogarth, George Stubbs, Théodore Géricault, Kiki Smith, Joel-Peter Witkin, and Cindy Sherman to show the great richness and complexity that can result when art and science intersect. The drawings, prints, photographs, and objects in this book span five centuries and mark numerous cultural shifts, yet their imagery is as powerful today as when it was created.
Bodily representation has shadowed Western art since the High Renaissance, particularly in the form of atlases of anatomical prints, detailed drawings, and wax cadavers used for teaching purposes. Studying anatomy was deemed so essential that it was part of the instruction program in the earliest Italian academies. Now contemporary artists interested in cultural constuctions of the body are reinvigorating the subject, with the fragmentation of human form being a prime concern.
Since 1858, Gray's Anatomy has served to legitimize notions of "serious" science unchallenged by the frivolity of art. But in recent years a kind of rapprochement between medical history and cultural theory has occurred, and new medical technologies have become a wellspring for artists as well as for doctors. As The Quick and the Dead makes clear, the human body—symbolic and intimate, material and sacred—is a vital cultural resource and a site where various social constituencies find relevant meaning.
- Sales Rank: #1551831 in Books
- Published on: 1998-09-07
- Original language: English
- Number of items: 1
- Dimensions: .82" h x 8.65" w x 8.65" l,
- Binding: Paperback
- 120 pages
About the Author
Deanna Petherbridge is Professor of Drawing at the Royal College of Art in London and Curator of the National Touring Exhibition from the Hayward Gallery exhibition of The Quick and the Dead. Ludmilla Jordanova is Professor in the School of World Art Studies and Museology at the University of East Anglia.
Most helpful customer reviews
5 of 6 people found the following review helpful.
From the inside to the 'in'-side
By Grady Harp
Gross Anatomy has always sounded to the lay public as some kind of perjorative about what medical students due, what pornographers do, and what artists perch above the cadaver to represent. Actually nothing could be further from the truth. For centuries artists and scientists have been joined at the hip - witness Vesalius and his immaculate engravings of the musculature and skeltons of the dissected bodies obtained by grave robbers under the umbrella of education. In this superbly written and illustrated volume Deanna Petherbridge and Ludmilla Jordanova have gleaned some of the finest examples of the study and representation of the human body resulting from this still ongoing duplicity between anatomists/physicians and artists. The journey here is well documented from the earliest forms to the latest depictions of how intensive visual and manual dissection of the human body has contributed to some of the finest art in the world. Bravo to the authors for opening a door to the lay public to once and for all subsume the negative implications of the term Gross Anatomy. Superb book!
6 of 8 people found the following review helpful.
beauty of the human body!
By theinnocence
be amazed at the beauty and delicay in which different artists at different times try to express and show the wonders of the human body.
i was left in awe, looking over the pages again and again, captivated by the words along with the images. and maybe just a bit brighter in the world of science.
0 of 0 people found the following review helpful.
A Scholarly Book -- and that may be the problem
By PlanoTX
I've always been interested in medical science and, so, my children gave this book to me as a gift.
It is a scholarly book. The plates selected for the book are awesome.
The writing -- and the typography -- of the book is the problem. I couldn't find the name of the font used, except that the book is typeset by Stefania Bonelli and printed in England. It is a serif font that looks excessively manuscriptive. The text under the plates is difficult to read, and if you ever want to look something up in the 'List of Works', bring a magnifying lens; it is probably a 4-point font size.
Now to the text itself. Scholarly! There should be no doubt about the credentials of Deanna Petherbridge who 'curated' the book. However, the lecture is soporific. To read, as a typical passage, "The exclusions of women's bodies from anatomical textbooks, except the specifically obstetrical, reveals the phallocentricity of anatomical discourse, even in the 20th century. The male body is understood to be the 'universal' anatomical model, and homologies with the male body are physical as well as visual (Schiebinger, 1987).", makes progressing through the book much like slogging through a collection of winter snow drifts.
I was motivated to read through this book, mind-numbing as it was. The upside to the book is that it is only 113 pages long and perhaps half of that is taken by plates and photographs.
To whom would I recommend this book? To anatomy professors and their students -- and to insomniacs.
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