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A new critical foreword by Walter Frisch, H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University, expands this centennial edition. Frisch puts Schoenberg's masterpiece into historical and ideological context, delineating the connections between music, theory, art, science, and architecture in turn-of-the century Austro-German culture.
- Sales Rank: #622790 in Books
- Brand: Brand: University of California Press
- Published on: 1983-02-16
- Original language: English
- Number of items: 1
- Dimensions: 1.19" h x 7.02" w x 9.90" l, 2.09 pounds
- Binding: Paperback
- 464 pages
- Used Book in Good Condition
Language Notes
Text: English, German (translation)
Most helpful customer reviews
76 of 78 people found the following review helpful.
A Philosophical Tome - Not a Textbook
By Christopher Forbes
No...Schonberg's Harmonic works are not where anyone should start when trying to learn standard western harmony. Let's get that out in the open first. You should not read this book as a way to learn the rules of figured-bass style harmony. For that, better to read Piston. This book is a philosophical tome. As such, it is verbose, but it is also extremely instructive, mostly for the composer.
I first read the Theory of Harmony as a grad student. My composition teacher suggested it. (He was always correcting my chord spelling in ways that didn't make sense to me, until I read the Schonberg.) This book opened me to the "mystical" side of harmonic theory. It also was a great clarifier on the relationship between harmony and counterpoint in voice leading. And, most harmony texts really are based on the rules of Rameau, which amazingly work up until the post Wagnerian era, when they begin to break down. Schonberg's work is the best examination of post-Wagnerian tonal harmony that I've come across. So to me, this is more than an historical artifact, it is a useful tool for the experienced composer. But definately not for your usual undergrad!
17 of 17 people found the following review helpful.
A Masterpiece for every musician
By Alberto M. Marchetti
This book is a must for a musician.
It is not a textbook. You need another standard one for this purpose. But it is essential as a companion, if you want to UNDERSTAND the reasons behind the rules. And you better read it in parallel with a standard textbook.
Schoenberg starts from the most ancient sources to the most modern and EXPLAINS everything! You are his pupil because this book was written for his real pupils. (And btw a 6th chord is a 6th chord for every classical harmony manual...).
I agree that sometimes some digressions may be questionable and some "rules" are introduced and then eliminated in a questionable way, but he is undoubtely an artist, and this book reflects it. The way he explains, for instance, the minor mode is unsurpassed.
You can't break harmony rules if you don't know what's behind them.
AMM
9 of 9 people found the following review helpful.
If you really do the work, you will learn harmony from this book
By Michael Kent Smith
Even though I earned a degree in music composition, I never took a college level theory course. Why not? Because my score on the freshman theory entrance exam was high enough to test out of all four years of undergraduate theory classes. How was I able to do that? Because before I applied to music school I had carefully worked my way through this book. It took me nearly a year of hard effort but it really paid off, not only by saving me the money and drudgery of college theory courses but also by giving me a solid understanding of how harmony works and how to use it as a composer. I feel very indebted to this book for that.
I have a friend who is an even better testimonial for the effectiveness of this book. You see before I took that theory entrance exam, in addition to Schoenberg's book, I had also worked through a half dozen other books like Piston, Sessions, Fux and some other ones that I don't even remember now 30 years later. Because I had studied other books, it makes it impossible to say that I pulled off testing out of four years of theory solely due to working through Schoenberg's book (however, I'd insist that it was this book that made me really understand harmony).
On the other hand, my friend never went to music school and used only Schoenberg's Theory of Harmony to learn his harmony. He meticulously worked his way through every chapter and filled reams of music paper with exercises from the book. We co-owned a recording studio at the time and each day I would come in to work and find page after page of carefully worked out chord connection exercises that he had done according to Arnold's (as we affectionately referred to him) directions. Since that time, I have met very few musicians -- including many who have masters and PHDs in composition -- with as deep an understanding of harmony as my friend had developed and his compositions clearly demonstrate his facility with harmonic materials.
If you want a book to help you trudge through dull undergraduate theory classes, I am sure that there are better books out there for that purpose; but if you want to render all those classes superfluous, work your way conscientiously through this book. It will give you a rock solid foundation in common practice harmony/theory.
Also, don't ignore those parts where Schoenberg drifts off into his philosophy. You'd be missing out on the insights of one of the greatest musical minds of the 20th century! I loved those parts and got so much from them. After work, my friend and I would sit and drink a few beers and talk about our impressions of Arnold's philosophy... great fun if you are sort of a theory geek like we were back then. And speaking of beer - I see that this book is selling used for less than the price of a beer in a bar. Do yourself a favor and skip that last beer of the evening one night and spend those five bucks on a second hand copy of this book.
In any case, Schoenberg's book can teach you an awful lot about harmony but... you'll need to have a bit of self discipline because you WILL have to do the work to reap the benefits. (and old Arnold was pretty demanding)
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