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Jay DeFeo and The RoseFrom University of California Press
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Rarely is an artist so closely associated with a single work as is Jay DeFeo with her monumental painting The Rose. Begun in the late 1950s, when DeFeo, a central figure of the Beat generation of San Francisco, was just starting to garner widespread national recognition, the visionary work occupied the artist for eight years. Massive in scale, layered with nearly two thousand pounds of paint, the overpowering painting was already famous before its first exhibition in 1969 at the Pasadena Art Museum. It was next exhibited in San Francisco, then stored at the San Francisco Art Institute, where it languished for twenty-five years before a historic conservation restored it to public view. The Rose now resides in the collection of the Whitney Museum of American Art.
This volume is the first major study of The Rose in particular and of Jay DeFeo in general. In the collection, eleven distinguished art and cultural historians—Bill Berkson, Niccolo Caldararo, Richard Cándida Smith, Walter Hopps, Lucy R. Lippard, Greil Marcus, Sandra S. Phillips, Marla Prather, Carter Ratcliff, David A. Ross, and Martha Sherrill—unfold the story of the creation, as well as the tricky and painstaking rescue, of DeFeo’s radiant masterpiece. While providing new material on The Rose and exposing many myths surrounding both the artist and her great work, these essays also place Jay DeFeo in relation to artists of her time, including Jasper Johns, Robert Rauschenberg, Lee Bontecou, and Eva Hesse. The book, which adds significantly to the scholarship of postwar American art, includes nearly eighty halftones, thirteen color plates, and Judith Dunham’s detailed Rose-related chronology.
- Sales Rank: #906965 in Books
- Published on: 2003-11-13
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x .80" w x 7.50" l, 1.83 pounds
- Binding: Hardcover
- 226 pages
Review
"An original and highly effective combining of 'readings' of the work of Jay DeFeo, a leading figure of the Beat generation. The various perspectives of the authors come smoothly together in their recognition of her supreme artistic ambition and desire to approach transcendence through art."
From the Inside Flap
"A gorgeous and moving book about a grand American masterpiece."—Thomas Hoving
"Is The Rose erupting or imploding, or is it doing both simultaneously—swallowing up and disgorging a life, an era, an entire mythos? The current volume, at last grappling with the whole of Jay DeFeo's great billowing fever dream of a masterpiece, plugs a gaping hole in the history of contemporary American art, and does so with a sense of moment and scale and flair worthy of its mind-blowing subject."—Lawrence Weschler
"An original and highly effective combining of 'readings' of the work of Jay DeFeo, a leading figure of the Beat generation. The various perspectives of the authors come smoothly together in their recognition of her supreme artistic ambition and desire to approach transcendence through art. New images and insights demythologize The Rose, now a genuine icon of the heroic abstract expressionist ethos identified with the era, enabling its creator to emerge as an individual and thereby richly enhancing our understanding of both the art and the artist."—Paul J. Karlstrom, editor of On the Edge of America: California Modernist Art, 1900-1950
"Eight years in the making, Jay DeFeo's The Rose was hidden behind a wall for over two decades and uncovered only after the artist's death. This book presents an account of its remarkable birth, burial, rescue, and resurrection through the words of conservators, curators, art historians, friends of the artist, and critics. The volume's sensitively written essays bring The Rose back to life in all its enigmatic complexity. It is a story unparalleled in contemporary art history, by turns riveting, heartbreaking, and exhilarating."—Eleanor Heartney, author of Critical Condition: American Culture at the Crossroads
From the Back Cover
"A gorgeous and moving book about a grand American masterpiece."--Thomas Hoving
"Is The Rose erupting or imploding, or is it doing both simultaneously--swallowing up and disgorging a life, an era, an entire mythos? The current volume, at last grappling with the whole of Jay DeFeo's great billowing fever dream of a masterpiece, plugs a gaping hole in the history of contemporary American art, and does so with a sense of moment and scale and flair worthy of its mind-blowing subject."--Lawrence Weschler
"An original and highly effective combining of 'readings' of the work of Jay DeFeo, a leading figure of the Beat generation. The various perspectives of the authors come smoothly together in their recognition of her supreme artistic ambition and desire to approach transcendence through art. New images and insights demythologize "The Rose, now a genuine icon of the heroic abstract expressionist ethos identified with the era, enabling its creator to emerge as an individual and thereby richly enhancing our understanding of both the art and the artist."--Paul J. Karlstrom, editor of "On the Edge of America: California Modernist Art, 1900-1950
"Eight years in the making, Jay DeFeo's The Rose was hidden behind a wall for over two decades and uncovered only after the artist's death. This book presents an account of its remarkable birth, burial, rescue, and resurrection through the words of conservators, curators, art historians, friends of the artist, and critics. The volume's sensitively written essays bring "The Rose back to life in all its enigmatic complexity. It is a story unparalleled in contemporary art history, by turns riveting, heartbreaking, and exhilarating."--Eleanor Heartney,author of "Critical Condition: American Culture at theCrossroads
Most helpful customer reviews
10 of 12 people found the following review helpful.
Jay DeFeo Lives
By Kevin Killian
Jay DeFeo spent many years of her life painting one picture, first called DEATHROSE, then just plain THE ROSE, and it grew so heavy with paint that it had to be hauled out of her studio on Fillmore Street in San Francisco on a crane. The proceedings were filmed by the artist Bruce Conner, a longtime friend of DeFeo's, and assembled by him into a film called THE WHITE ROSE: JAY DEFEO's PAINTING REMOVED BY ANGELIC HOSTS (actually Bekins movers).
After a few showings, the painting was stored at the San Francisco Art Institute and eventually plastered over to stabilize its shifting masses of paint and also to protect it from student graffiti. For many years it hid behind this plaster and its absence became a giant statement. DeFeo herself began to think of Conner's film as a kind of displaced substitute for her work, and Jane Green and Leah Levy, the editors of the present volume, are astute enough to let this fact speak for itself. In a great act of showmanship, Lisa Phillips, a Whitney curator, not only restored the painting but bought it for the Whitney where it can be viewed today (sometimes).
This book contains many essays by people who were close to DeFeo, as well as some by those who never met her. Bill Berkson's essay imagines the 1960 "Sixteen Americans" show by Dorothy Miller (which featured DeFeo, as well as her husband Wally Hedrick, in addition to giving national exposure to the likes of Frank Stella, Jasper Johns, Robert Rauschenberg), but was missing THE ROSE, which DeFeo did not send saying it was not yet finished. Lucy Lippard's essay considers similarities between DeFeo's production and that of her contemporaries Eva Hesse and the Lees--Lee Bontecue and Lee Lozano, relating her depressing years of inactivity (1966-1970) to the nascent women's art movement. It is provocative to say the least. The University of California Press has printed many fine photos to go with the book, including some color images which I had never seen.
0 of 0 people found the following review helpful.
Wonderful book for feminist artists
By Bernadette Hackett
Wonderful book for feminist artists. This woman is not very well known even though her work is quite beautiful. This book not only shows the making and the restoration of her incredible painting. The Rose, but shows some of her large drawings.
0 of 0 people found the following review helpful.
Great book
By michael
This was a very inspiring book to look at. Her direction was amazing . It's a good historical reference, about a female artist and her passion
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