Free PDF A History of Russian Music: From Kamarinskaya to Babi Yar, by Francis Mæs
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A History of Russian Music: From Kamarinskaya to Babi Yar, by Francis Mæs
Free PDF A History of Russian Music: From Kamarinskaya to Babi Yar, by Francis Mæs
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Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, A History of Russian Music summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas.
The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds.
A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research.
- Sales Rank: #1194270 in Books
- Published on: 2006-02-20
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.13" w x 6.00" l, 1.68 pounds
- Binding: Paperback
- 441 pages
Most helpful customer reviews
13 of 15 people found the following review helpful.
Used for Russian Music class
By B. Mestek
This book was required for my Russian Music History class, and so to save money, I bought it off Amazon. However, the great thing about this being our textbook is that it reads like a novel. It's very descriptive, gives all the information you might need on any particular major Russian composer, along with a lot of interesting background insight that helps the understanding of the music and composers even more. The history of Russia at the time of the composers is also included within and so this really is a great all around Russian Music History book. I'd recommend it to anyone needing information the topic.
17 of 23 people found the following review helpful.
Non-technical; Perhaps useful to a dilettante
By Brian D. Tuttle
"A History of Russian Music," by Francis Maes, could have been better titled: "Music's Place in the History of Russia and the Soviet Union." Though there are some basic definitions given (scattered on pages throughout), there is not one musical example of any of the folk song types listed. For example, no one will, after reading this book alone, understand what a "protyazhyana" is, other than a "drawn-out song." One could say the same about any of Kenny G's music. Analysis of the music is limited. The author obviously assumes the reader has no knowledge of music theory. For example, in a particularly pedantic passage, he acknowledges that his explanation of the octatonic scale "sounds complicated." If you are interested in "play by play" examination of opera plots, etc., then this is the book for you. For an actual understanding of Russian musical style, there are better sources. This book appeared to be a dumbed-down version of Richard Taruskin's scholarship - one will note Taruskin is the most cited author in the book. All in all, not bad for the musical novice, and a great look at how music fit in with the history of Russia and the Soviet Union, but lacks clarity and detail in its definitions, and is without the technical analysis required for scholarly research. More frustrating than helpful. Great cover art though.
1 of 1 people found the following review helpful.
Not for the casual reader
By Brittany H.
This is a translation and it is difficult and challenging, as well as very technical writing about music. It isn't for the casual music enthusiast. I had to read it for a class in graduate music study and it was difficult to digest. The topic itself is tough, and compounded with a Dutch to English translation, it's not an easy read.
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