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Palaces in the Night: Whistler in Venice, by Margaret F. MacDonald
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In September 1879, James McNeill Whistler boarded the Venice-bound night train in Paris. He was forty-five years old and bankrupt. What was to be a three-month stay in the Italian city—long enough to complete a set of twelve etchings—stretched to fourteen months. When Whistler returned to London, he brought back over fifty magnificent etchings and a hundred pastels, far in excess of the original commission. In Palaces in the Night, Margaret F. MacDonald looks at this key period in Whistler's career, examining his unique vision of Venice and his development of the medium of etching. She shows how he reestablished himself in the art world of London and Paris, turning disaster and disgrace into profit and prestige. Lavishly illustrated with some of the most beautiful and intriguing images Whistler ever produced, this book provides a fascinating account of a pivotal period in the artist's long and complicated career.
Whistler's aim was to restore both his fortune and reputation with the Venetian etchings. To that end he included views of familiar sights like the Riva degli Schiavoni and San Marco, but he also captured quiet backwaters, secret gardens, and lantern-lit windows that did not appear in any guidebook. His selection of views and compositions, plus the expressiveness of his line and printing, differentiated his work from that of others, and MacDonald shows the process by which Whistler selected, shaped, and edited his Venetian corpus. He drew figures in distinctively Italian costume, each an individual, moving, gesturing, and interacting with other real people.
An appendix of Whistler's letters from Venice provides an entertaining account of his time there and also deepens the reader's understanding of how the city challenged and inspired him.
- Sales Rank: #482177 in Books
- Published on: 2001-06-04
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x .75" w x 9.50" l, 2.60 pounds
- Binding: Hardcover
- 160 pages
From Library Journal
A number of books have been written recently on Whistler's etchings and pastels, but this is the first to examine these works exclusively from the periods when the artist worked in Venice. MacDonald, a University of Glasgow research fellow and the curator who wrote the catalogue raisonn? of the British artist's drawings, pastels, and watercolors, here examines the works that Whistler created in Venice, commissioned by the Fine Arts Society of London. The methods he used to achieve the formal effects of the pastels and etchings of this period are examined, as is the critical response to their exhibition in London in 1880 and 1883. MacDonald also discusses Whistler's unique approach to Venetian subjects of the time: he depicted the quotidian life of the city instead of just tourist views. Although this is a lovely, well-researched book, it has a very specific focus, recommending it only for academic or museum libraries supporting arts programs. Sandra Rothenberg, Framingham State Coll., MA
Copyright 2001 Reed Business Information, Inc.
About the Author
Margaret F. MacDonald is Senior Research Fellow at the Centre for Whistler Studies, University of Glasgow.
Most helpful customer reviews
2 of 2 people found the following review helpful.
The Good Book on Whistler
By Frank Schmidt
I'm probably going to rate this book 5 Stars. I just bought my forth copy of it from this Amazon site. One I kept, two I gave to art gallery owners and the most recent one I shipped to an artist/professional photographer friend who works on an etching project with me.
JM Whistler may not have been a very likeable guy in his day (except it appears to his students/protégés, some of whom seem to have adored him) but this book shows the art talent of the man !
According to the author Whistler was at times a work-alcoholic, at times not well focused and never able to handle money. From contemporary reports he had a high opinion of himself and his work and was pretty contentious and didn't suffer critics in the least.
I very much agree with David Adams above, the pastels are a joy to view. The talent is evident. Whistler cared not at all that art critics didn't accept pastel as an investment/museum grade art medium at the time. If the author, MF MacDonald is to be believed, Whistler came at those critics with both "barrels loaded" ; and I very much believe MacDonald, she supports her claims very well with contemporarys' writings and newspaper excerpts.
It's the etchings that I was after. Whistler gives them in spades. He furthered the art in his methods, materials and his choices of previously unacceptable subject matter in that exotic city of Venice. The images he brought back to London for sale were not expected but seem to have been accepted by the buying public when displayed in the way that Whistler's marketing savvy told him to show them.
Something else that MacDonald gives us in this book that I've never seen before is comparative photographs, many. Fairly current pictures of scenes that Whistler etched or captured in pastel taken from as near as possible the same perspective as he saw them. She also shows some similar images by other artists of the same scene which Whistler portrayed and explains similarities and differences between them. Bravo to her!
I'll admit I'm biased. I'm using this book to learn artistic methods from a man I might not have liked much as a person had we lived at the same time but an extremely talented and very hard working artist nonetheless. Full of himself ......and probably for good reason. Great book !
6 of 7 people found the following review helpful.
Etchings & Pastels to change your view of Whistler
By David Adams
This is an amazingly fine book of Whistler's etchings & pastels for a very reasonable price now that it has been remaindered. To me, the absolute economy of means in his pastels is stunning. Every pastel artist should pick up this book. Just looking carefully at these little masterpieces is worth more than a whole course in pastel drawing.
0 of 0 people found the following review helpful.
Less is More
By George King
As a painter in pastels, I as many others have succumbed to the perceived "need" to collect too many pastel sticks and sets. Whistler shows us that less is more in his strikingly simple pastel style.
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