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Project Girl, by Janet McDonald
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Selected by The Los Angeles Times Book Review as one of the best books of the year, Project Girl is the powerful account of a young woman's struggle to realize her dreams while remaining true to who she was before attending Ivy League schools and receiving impressive diplomas. It tells of the spectacular failures and unlikely comebacks of a ghetto kid whose academic talent opens doors onto a world of private schools, rich classmates, and plum jobs but who back home confronts a neighborhood of growing poverty, drug abuse, and crime. Project Girl is McDonald's story of her divided life and terrible battle to reconcile opposing worlds.
- Sales Rank: #718993 in Books
- Color: Tan
- Published on: 2000-06
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .56" w x 5.98" l, .83 pounds
- Binding: Paperback
- 231 pages
From Publishers Weekly
This rather unstructured memoir certainly contains high drama, but it doesn't quite succeed in illuminating the larger social issues?race, class, education, identity?to which it implicitly points. McDonald, the gifted child of an "old-fashioned" black family (hardworking father, tireless at-home mom) living in a Brooklyn housing project, was a "nerd" in the projects but an alienated "project girl" in the more privileged world to which her academic achievement earned her entry. She made it to Vassar in the early 1970s only to become a heroin user, but righted herself (especially during a junior year abroad in Paris) in time to enter law school. She was shattered again when she was raped, after which she expressed her rage by setting fires in her law school dorm. She returned to school and now practices law in her beloved Paris. However gripping and potentially instructive this mix of harrowing and inspirational facts are, the telling is awkward. While McDonald portrays her post-rape torment with graphic intensity, her self-analysis?especially of her heroin problem?are shallow. Her writing is fluid?so fluid that it's shame that she relies on so many previously written journal excerpts that chronicle not only her progress at work but also her mood swings, off-the-cuff remarks ("We may have a woman Vice-President!") and ideological natterings unbuttressed by thoughtful argument ("America's corporate structure... is responsible for each and every individual moment of suffering"). Despite these flaws, readers will find in these pages a spirited challenge to the idea that upward mobility is easy or comes without a heavy psychological cost.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Now practicing law in Paris, McDonald was raised in the projects of Brooklyn, NY, in the midst of poverty, drug abuse, and violence. This is the wrenching story of her escape from that life to Vassar, Columbia, and then to NYU Law School and the personal crises she surmounted along the way.
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
Anger-filled memoirs, partly straight narrative and partly excerpts from a journal, of a professional black woman whose journey from a low-income housing project in Brooklyn to a law office in Paris is replete with violence, hostility, and alienation. McDonald, the middle of seven children, was singled out early as gifted. She recounts how a supportive program at Harlem Prep gained her admission to Vassar. Here, in a WASP world far from her family in the projects, her feelings of fear and isolation led her to heroin. Fortunately, Vassar provided counseling, sent her home on medical leave, and readmitted her the next year. She spent her junior year in Paris, meeting blacks from all parts of the world and having some of her racial and cultural stereotypes shattered. Law school at Cornell followed, but her academic career was again interrupted, this time by a vicious rape followed by a nervous breakdown. At New York University, where she transferred, McDonald, still filled with fear and obsessed with homicidal and suicidal urges, was arrested for arson. Ousted from NYU, she went to the Columbia School of Journalism, where she interned at both a French press agency in Paris (where people are ``full of life, not ambition'') and at Newsweek in New York (where she felt like ``an overeducated slave on the bottom of the white patriarch's totem pole''). Abandoning journalism, McDonald reapplied to NYU and, at age 32, graduated from law school. However, living in a Manhattan high-rise and working in a midtown corporate law office was misery for her, and her weekends were spent back at the projects in Brooklyn. ``I no longer belong in the projects, but still to them,'' her journal notes. Eventually, McDonald moved to France, abandoning the US and her struggle to belong. Powerful and painful reminder of the enormous gap between the culture of an inner-city black ghetto and middle-class white Americaone so wide that education alone cannot be counted on to bridge it. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
26 of 27 people found the following review helpful.
This book should be required reading for America!
By jackie
Project Girl is one of the best (if not the best book) I have read. I am from the projects and share a similar background to Janet. At the age of 40 I still did not understand some of the anger and responses I had toward people of more advantaged backgrounds, but Janet's book gave voice to many of my feelings and insecurities. It is difficult for people from more priviledged backgrounds to understand that the issue for poor blacks is more than just a matter of race. It is also a matter of class and we have had to learn to adjust to our difference in class, race and (sometimes) gender. When you are a project girl, you are trying to overcome all three! We have had to compete with others who started the race with more book knowledge and elite training at the same time that we have to learn new jobs or attend school. For example, Janet was exceptionally smart, but in high school the teachers never told her about writing footnotes. Something so basic to everyone else from better schools, but something she had to learn after she enter an elite college. I only wish she could have told us more about her life after her move to Paris. I read Project Girl the same week that I read "Trespassing" by Gwen Parker. What a difference! In Trespassing you have a black woman of immense priviledge who doesn't seem to acknowledge how all of her priviledge helped get her to the top. In Project Girl you have a black woman who gets to the top despite all of the class, family, color and gender issues. It is not a pretty story and Janet was in fact self-destructive, but having come from her world and been immersed into elite, white and male-dominated environments with absolutely no training or mentoring, I completed understand her actions. I am proud that she managed to overcome them. If you are a project girl: read this book, if you are a priviledged black person: read this book, if you are from any other group: read this book.
9 of 10 people found the following review helpful.
A stunning, transformative, clear-eyed war story
By Bernestine Singley
Project Girl. There are millions of us, but very few will ever experience the convergences necessary to get our story in print. Some of that has to do with our rush to forget the trek from grits-to-Gucci, an understandable if sad price to pay for living life as a corporate makeover.
But thank God, Janet MacDonald didn't forget a thing. And her buzz saw of a mind sent chips flying to hell and back to present us with a story so gripping, I often found myself holding my breath long after the sentence had ended.
Even the most casual reader can understand this tale of wars: the one where Janet constantly squares off against her self; the one where she jousts interminably with the self she showed to others; the wars with forces beyond, as well as those completely within, her control. Sometimes vanished, sometimes victor, she never asks you to feel sorry for her even when she faces the horror every woman on earth lives in fear of. And, yet, the only time she sinks to a blame fest is when she repeatedly skewers some mental health practitioners of arguably questionable skill.
PROJECT GIRL is a straight ahead rendering of one brilliant black woman's mottled life in these United States of America. And that is, perhaps, the most incredible gift of this outpouring: not MacDonald as Role-Model-for-All-Corporate Wannabes, not MacDonald as Queen-of-the-Up-by-My-Boostraps-Crew, not MacDonald as some Over-the-Rainbow-See-How-I-Slew-my-Demons-all-by-Myself, but MacDonald as human, flawed, honestly laying out a personal, story of race, gender, class, and, yes, politics.
In fact, that's precisely how PROJECT GIRL escapes being "just a memoir." It is so refreshingly clear and purposefully disturbing as it peels back the layers of race, class, gender and power that make up all our daily life. By the time MacDonald is through with us, we are completely exhausted and all we did was watch.
In the end, we have peeped the inner workings of a whole range of hallowed institutions--from the nuclear family, to wealthy college campuses, to elite workplaces, to the criminal justice system, to the mental health industry. MacDonald's is an irreverent, relentless, priceless eye.
PROJECT GIRL is a triumphant beginning. The rest of this story has yet to be told and is definitely worth waiting for.
11 of 13 people found the following review helpful.
Obvious and not-so-obvious
By A Customer
After one writes that, with the publication of Project Girl, Janet McDonald has thrust herself into the company of James Baldwin and Angela Davis, then one must consider what other associations suit the book. It is easy to read but so hard to forget. The writing is pellucid. One gets an incredible sense of who McDonald is and what she has been through, without detecting any of the artifice that people usually call "style". Her style is her voice, simple as that. McDonald's book, a memoir, in coming out in the memoir-rampant post-Angela's Ashes era, has been criticized for being just another up-from-the-bottom story. Yet Frank McCourt himself wrote that Project Girl "should be placed on all high school and college reading lists and offered to anyone looking for a book beautifully written." Leafing through Project Girl for one more of the countless times I have searched it for some morsel of understanding or attitude, I discover once again that each sentence is no more and no less than a small portion contributing to the entirety of this beautiful, difficult, yearning story. It does not matter that the story is true. That it is true should make us shudder. But how do we Americans classify the book? McDonald lives in Paris now, and she might shudder to know. Project Girl does not rest on the shelf. It sticks to the mind. You can't shelve it. Every time you think you have the story down ("okay, she grew up in the Farragut Houses projects in Brooklyn, got it, terrible things there, strong family, okay-this experience-some racism, off to college" etc.) a sticky part in the story such as her brief foray into the world of the child prophet Guru Maharaj Ji will throw you off. She is an incredible person and her genius just to pull herself up time after time-a necessary genius to the chronically voiceless-is, if only commended and admired, the victim this time of condescension. It is as difficult to say what this book really is as it is difficult to deal with the seething, subtle and not-so-subtle problems that are chronicled within it. But it is also warm, forgiving and funny. It will resonate with the reader's experiences long, long after s/he has put it down.
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