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• Sales Rank: #7301350 in Books
• Published on: 1988-11-04
• Original language: English
• Number of items: 1
• Dimensions: 5.91" h x .94" w x 9.06" l,
• Binding: Paperback

From Library Journal
In 1982, the University of California, San Diego, hosted the International Stravinsky Symposium in celebration of the centenary of the composer's birth. The 21 papers presented there have been collected in this handsome volume and edited with care by Pasler, the symposium's director. The scope and quality of the material is impressive, though much of the subject matter will interest only serious scholars, particularly the knotty sections on theoretical perspectives and compositional practices. Unfortunately, one of the lighter and more inventive contributions, a droll essay by Roger Shattuck, inexplicably has been pared down. Still, the book will be an important resource for music students and should be acquired by libraries with substantial music holdings. Larry Lipkis, Music Dept., Moravian Coll., Bethlehem, Pa.
Copyright 1987 Reed Business Information, Inc.

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"Ask audience to cut the part of the image on the screen that they don't like. Supply scissors."—Yoko Ono, Tokyo, June 1964

A dazzling range of unconventional film scripts and texts, many published for the first time, make up Scott MacDonald's newest collection. Illustrated with nearly 100 film stills, this fascinating book is at once a reference work of film history and an unparalleled sampling of experimental "language art." It contributes to the very dissipation of boundaries between cinematic, literary, and artistic expression thematized in the films themselves. Each text and script is introduced and contextualized by MacDonald; a filmography and a bibliography round out the volume.

This is a readable—often quite funny—literature that investigates differences between seeing and reading. Represented are avant-garde classics such as Hollis Frampton's Poetic Justice and Zorns Lemma and Morgan Fisher's Standard Gauge, and William Greaves's recently rediscovered Symbiopsychotaxiplasm: Take One. Michael Snow turns film loose on language in So Is This; Peter Rose turns language loose on theory in Pressures of the Text.

Some of the most influential feminist filmscripts of recent decades—Laura Mulvey and Peter Wollen's Riddles of the Sphinx, Su Friedrich's Gently Down the Stream, Trinh T. Minh-ha's Reassemblage, Yvonne Rainer's Privilege—confirm this book's importance for readers in gender and cultural studies as well as for filmmakers and admirers of experimental writing, independent cinema, and the visual arts in general.

• Sales Rank: #1692824 in Books
• Published on: 1995-04-26
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .79" w x 5.98" l, 1.25 pounds
• Binding: Paperback
• 352 pages

From the Back Cover
A dazzling array of decidedly unconventional scripts and texts, many published here for the first time. The collection includes avant-garde film classics such as Hollis Frampton's Poetic Justice and Zorns Lemma, and Morgan Fisher's Standard Gauge.

About the Author
Scott MacDonald is Professor of Film Studies and American Literature at Utica College. He is editor of A Critical Cinema and A Critical Cinema 2 (California, 1988, 1992).

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In October 1946, seven million more women than men lived in occupied Germany. In this study of unwed, divorced, widowed, and married women at work and at home across three political regimes, Elizabeth Heineman traces the transitions from early National Socialism through the war and on to the consolidation of democracy in the West and communism in the East.

Based on thorough and extensive research in German national and regional archives as well as the archives of the U.S. occupying forces, this pathbreaking book argues that marital status can define women's position and experience as surely as race, gender, sexual orientation, and class. Heineman finds that, while the war made the experience of single women a dramatic one, state activity was equally important. As a result, West German women continued to be defined in large part by their marital status. In contrast, by the time of reunification marital status had become far less significant in the lives of East German women.

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• Sales Rank: #5296179 in Books
• Published on: 1999-04-30
• Original language: English
• Number of items: 1
• Dimensions: 1.49" h x 6.42" w x 9.32" l,
• Binding: Hardcover
• 542 pages

Review
"Elizabeth Heineman has produced an original and comprehensive work . . . Heineman's complex exploration of the very different ways in which ideology, policy, social experience, and popular memory construct the meaning of marital status makes an important contribution to our knowledge of gender and sexuality in Nazi and post-World War II Germany and will be of interest not only to scholars of twentieth-century Germany but also to those interested in the history of women, family, and social policy in modern industrial societies."--Mary Nolan, "Central European History

From the Inside Flap
"A pathbreaking book. Nothing else attempts the broad sweep or comprehensive vision that Heineman offers in this book."—Robert Moeller, author of Protecting Motherhood

From the Back Cover
"A pathbreaking book. Nothing else attempts the broad sweep or comprehensive vision that Heineman offers in this book." (Robert Moeller, author of Protecting Motherhood)

Most helpful customer reviews

3 of 3 people found the following review helpful.
A generation of difference in German women.
By A Customer
Elizabeth Heineman's first book improves on her earlier articles describing the hurdles overcoming political resistance to legal acceptance of women and their children. Professor Heineman challenges the assumption that the development of women "standing alone" in the East paralleled their development in the West. Her analysis goes beyond the battle for recognition of their social/sexual lives in the era of the "surplus women" (There were nearly seven million more women than men in Germany in 1946), and considers the effect on marriage of German reunification in 1990. Although married women in both Germanies, within the traditional locus for sexual expression, had eaiser availability to creature comforts, such as homes and apartments, the Christian coalition in power in the West made special efforts to defend the traditional nuclear family. Thus, women in the East grew up believing that women must integrate motherhood with their careers, but in the West the two livestyles were viewed as mutually exclusive. Heineman suggests that the generation of separation has created fundamental difference where sameness is expected, and that the equality created in the East may now be superimposed on the West.

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The "Tibetan Question," the nature of Tibet's political status vis-à-vis China, has been the subject of often bitterly competing views while the facts of the issue have not been fully accessible to interested observers. While one faction has argued that Tibet was, in the main, historically independent until it was conquered by the Chinese Communists in 1951 and incorporated into the new Chinese state, the other faction views Tibet as a traditional part of China that split away at the instigation of the British after the fall of the Manchu Dynasty and was later dutifully reunited with "New China" in 1951. In contrast, this comprehensive study of modern Tibetan history presents a detailed, non-partisan account of the demise of the Lamaist state.

Drawing on a wealth of British, American, and Indian diplomatic records; first-hand-historical accounts written by Tibetan participants; and extensive interviews with former Tibetan officials, monastic leaders, soldiers, and traders, Goldstein meticulously examines what happened and why. He balances the traditional focus on international relations with an innovative emphasis on the intricate web of internal affairs and events that produced the fall of Tibet. Scholars and students of Asian history will find this work an invaluable resource and interested readers will appreciate the clear explanation of highly polemicized, and often confusing, historical events.

• Sales Rank: #344418 in Books
• Published on: 1991-06-18
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x 2.09" w x 5.98" l, 2.75 pounds
• Binding: Paperback
• 936 pages

Review
"If in your life you read only one book on Tibet, read this."--Michael Hutt, "South Asia Research

About the Author
b>Melvyn C. Goldstein is Professor and Chairman of the Department of Anthropology, Case Western Reserve University, and co-author of Nomads of Western Tibet (California 1990).

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0 of 0 people found the following review helpful.
A definite must read for those who want to study Tibetan History without the trappings of Tibetan Cultural beliefs.
By Chime Nangchen
My husband of 20 years is Tibetan and I find it difficult to find quality study materials that clearly separate fact from cultural memory when studying Tibetan History. It is extremely important as Tibetan Buddhism moves to the West that Western practitioners of Tibetan Buddhism understand what is Buddhist about the Tibetan Buddhist teachings and view of the world and what is actually Tibetan culture mixed with Buddhist teachings. Even the Tibetan Lama's who teach in the West are unaware that they are teaching a very unique form of Buddhism, which is more exhibited as cultural ways of viewing the world by an ancient culture, than the simple teachings of the Lord Buddha. The mixture of the actual teachings of the Buddha, clothed so completely in a culture that is highly superstitious and animistic creates much confusion in the Western mind. This is convenient for the Tibetans who would like to continue their culture, but not fair to the students who are often shamed as not seeing the world in the correct way.

3 of 3 people found the following review helpful.
Thorough and Well Done
By George Phillies
The weaknesses that destroyed independent Tibet come to the fore. Thoroughly researched and well-written. There is a remarkable complexity of politics, with individual desires and weaknesses overshadowing the needs of the future.

1 of 1 people found the following review helpful.
key series must read
By MAR
prt of an epic series that captures the modern phase of a history that goes back 1300 years or more. essential reading

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The interaction between religious beliefs and hunting practices among the Asiniskawidiniwak or Rock Crees of northern Manitoba is the focus of Robert Brightman's detailed study. This foraging society, he says, bases aspects of its hunting and trapping largely on what we call "religious" conceptions.

Seeking an ideology, however, that incorporates Cree beliefs about human-animal differences and the relationships that should exist between them as hunter and prey, Brightman finds these beliefs to be disordered and unstable rather than systematic. Animals are represented as simultaneously more and less powerful than humans. The hunter-prey relationship is talked about as both collaborative and adversarial. Exploring the influence of these religious representations on technical aspects of subsistence historically, Brightman finds that Crees' attitudes and actions toward animals were, and are, relatively arbitrary with respect to biological and environmental forces. Anthropologists will see in his well-researched discussion a challenge to prevailing ecological and Marxist approaches to foraging societies.

• Sales Rank: #4685302 in Books
• Published on: 1993-05-25
• Original language: English
• Number of items: 1
• Dimensions: 1.31" h x 6.24" w x 9.24" l, 1.70 pounds
• Binding: Hardcover
• 412 pages

Review
"A truly wonderful book, devoted to portraying Cree conceptions of human-animal relationships."--"Religious Studies Review

From the Inside Flap
"An outstanding contribution to theory and ethnology of hunter-gatherers. . . . It may be the most important synthesis of Algonquian ethnology that we have."—Richard J. Preston, McMaster University

From the Back Cover
"An outstanding contribution to theory and ethnology of hunter- gatherers. . . . It may be the most important synthesis of Algonquian ethnology that we have." (Richard J. Preston, McMaster University)

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• Sales Rank: #5182663 in Books
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• Number of items: 1
• Binding: Hardcover
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Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. Shadow of a Mouse proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. Donald Crafton’s interdisciplinary methods draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema that illuminates its systems of belief and world making. He wryly asks: Are animated characters actors and stars, just like humans? Why do their performances seem live and present, despite our knowing that they are drawings? Why is animation obsessed with distressing the body? Why were California regional artists and Stanislavsky so influential on Disney? Why are the histories of animation and popular theater performance inseparable? How was pictorial space constructed to accommodate embodied acting? Do cartoon performances stimulate positive or negative behaviors in audiences? Why is there so much extreme eating? And why are seemingly insignificant shadows vitally important? Ranging from classics like The Three Little Pigs to contemporary works by Švankmajer and Plympton, these essays will engage the reader’s imagination as much as the subject of animation performance itself.

• Sales Rank: #905069 in Books
• Published on: 2012-11-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.45 pounds
• Binding: Paperback
• 411 pages

From the Inside Flap
“Donald Crafton, our lively guide, shows us around a Tooniverse populated by performers, not just images, who engage us in all the ways their flesh-and-blood counterparts do, and then some. Taking classical animation as his terrain, Crafton nevertheless pushes ongoing discussions of performance, liveness, and corporeality in the directions in which they need to go if they are to help us describe and navigate our increasingly virtual worlds.”

Philip Auslander, author of Liveness: Performance in a Mediatized Culture



"Every once in a while a book comes along that marks a transformational point in its discipline. Such a book is Donald Crafton's Shadow of a Mouse. Crafton skillfully draws together theoretical sources, animation history, technological development, and social analysis, deftly weaving together thinkers from Disney to Deleuze and Sito to Stanislavsky. The result is a substantial rethinking of animation that will reshape traditional approaches to the medium. Crafton's magisterial grasp of theory and history is livened by a true fan's passion for the subject and a keen sense of humor. Shadow of a Mouse is a must-read for anyone with an interest in performance, embodiment, popular culture, race, or reception."

Mark Langer, Associate Professor of Film Studies, Carleton University

About the Author
Donald Crafton is The Joseph and Elizabeth Robbie Professor of Film, Television, and Theatre at the University of Notre Dame. He is the author of The Talkies and Before Mickey.

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