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Philip Guston: Collected Writings, Lectures, and Conversations (Documents of Twentieth-Century Art), by Philip Guston
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This is the premier collection of dialogues, talks, and writings by Philip Guston (1913–1980), one of the most intellectually adventurous and poetically gifted of modern painters. Over the course of his life, Guston’s wide reading in literature and philosophy deepened his commitment to his art—from his early Abstract Expressionist paintings to his later gritty, intense figurative works. This collection, with many pieces appearing in print for the first time, lets us hear Guston’s voice—as the artist delivers a lecture on Renaissance painting, instructs students in a classroom setting, and discusses such artists and writers as Piero della Francesca, de Chirico, Picasso, Kafka, Beckett, and Gogol.
- Sales Rank: #196375 in Books
- Published on: 2010-12-15
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .90" w x 7.00" l, 1.57 pounds
- Binding: Paperback
- 344 pages
Review
"Lovingly compiled"--"Artforum"
"This is a book of wisdom, not only for artists but for anyone seeking to learn something from art."--"The Nation"
"[Guston's] voice at its effusive best."--"Jewish Exponent"
"Expansive"--"San Francisco Bay Guardian"
"This hefty volume is 344 pages of smart art takes (Clark Coolidge, ed.) by the largely self-taught painter who, with pal Jackson Pollock, got expelled from L.A.'s Manual Arts High School in 1929."--Christopher Knight"Los Angeles Times, Culture Watch Blog" (12/15/2010)
"Until now his influence has been through his art rather than his words. This collection gathers together interviews and studio discussions and commits the artist's words to print.--Alexander Adams"Art Newspaper" (12/01/2011)
This hefty volume is 344 pages of smart art takes (Clark Coolidge, ed.) by the largely self-taught painter who, with pal Jackson Pollock, got expelled from L.A. s Manual Arts High School in 1929. --Christopher Knight"Los Angeles Times, Culture Watch Blog" (12/15/2010)"
Until now his influence has been through his art rather than his words. This collection gathers together interviews and studio discussions and commits the artist s words to print.--Alexander Adams"Art Newspaper" (12/01/2011)"
From the Inside Flap
"This volume introduces the diverse voices that comprise Guston's linguistic tapestry. Guston never stopped talking for too long. There may have been periods of silence precipitated by existential moments of doubt, but such lapses seem anomalous when measured against the voluminous transcriptions gleaned and edited by Clark Coolidge. Coolidge has done an admirable job arranging and presenting the book's contents, entirely relevant to anyone curious about Guston, and by extension, American Art of the post-World War II period."—Douglas Dreishpoon, chief curator at Knox-Albright Gallery
About the Author
Clark Coolidge has published many volumes of poetry and a collaboration with Philip Guston, Baffling Means: Writings/Drawings. Dore Ashton is Professor of Art History at the Cooper Union. Her many books include A Critical Study of Philip Guston, available from UC Press.
Most helpful customer reviews
13 of 14 people found the following review helpful.
Guston the thinker
By Reich Claude
Philip Guston, one of the most important artists of the XXth century had this rare ability of being able to talk about art as well as he made it. His vast culture enabled him to draw inspiration from everyone from the Renaissance masters (Piero della Francesca) to Italian modernists (de Chirico), from Kierkegaard to Kafka, from Beethoven to his close friend Morton Feldman, etc.
This book is a compendium of lectures, conversations, interviews, in which the artist delivers a vision about his world, about art, about mankind, that is one of the deepest I, as a reader, have encountered. There are also some vivid accounts of the artist's experiences with Renaissance art, such as his visits to Arezzo and the shock he received when first confronted with Piero's frescoes depicting the Legend of the Cross. I personally think that there is nothing better than to listen to an artist speak about another artist and this is precisely what this book enables us to do.
I beg to differ with the previous reviewer:this book is for everyone; for everyone interested in art, in thinking and in reading, and for everyone who can make the effort of going beyond the obvious. Guston was a great artist, but he also was a great thinker and a great talker.
Highly recommended.
5 of 5 people found the following review helpful.
pure genius
By George Shade
The best most exciting book I've read in a very long time about painting written from the inside. It is for artists and not art lovers. Guston's mind is a delightful place to be and he writes and speaks about painting with rigor, humor and honesty in a way that will force you to call into question your assumptions about what painting is. The interviews and transcripts of impromptu discussions are marvelous-- many published here for the first time. Why it took this long for this book to come out is a mystery. This stands alongside Picasso on Art, Matisse's writings on art, and Sylvester's interviews with Giacometti as one of the great documents of a 20th Century artist struggling with the question of what is possible.
3 of 3 people found the following review helpful.
Great book if you like Guston
By Lucia Vidales
I love everything excepting the price, considering the edition, printing and paper it has should't be that expensive.
Don't expect images, as the title says, its only text.
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