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Throughout the Middle Ages, John the Evangelist, identified as the author of both the Book of Revelation and the most profound and theologically informed of the four Gospels, provided monks and nuns with a figure of inspiration and an exemplar of vision and virginity. Rather than the historical apostle, this book's protagonist is a persona of the Evangelist established in theology, the liturgy, and devotional practice: the model mystic, who, by virtue of his penetrating insight, was seen as having become a mirror image of Christ. In St. John the Divine, Jeffrey Hamburger identifies a remarkable set of images from the ninth to the fifteenth centuries that identify the inspired Evangelist so closely with the deity that he appears as his living image and embodiment. Hamburger explores the ways these representations of St. John in the guise of Christ elucidate the significance of images as such in medieval theology and mysticism. Above all, he shows how these artworks, presented together for the first time, epitomize the relationship between the visible and the invisible: between ideas, however abstract, and the concrete images that medieval Christians confronted face-to-face.
- Sales Rank: #1751394 in Books
- Published on: 2002-08-05
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 1.25" w x 8.50" l, 3.65 pounds
- Binding: Hardcover
- 380 pages
Review
"Analyzing an astonishing range of visual examples, Hamburger unlocks a newly discovered door in heaven, revealing the crucial role John plays in medieval thought and art as deified Evangelist as well as apocalyptic prophet and beloved apostle." - Richard K. Emmerson, author of Antichrist in the Middle Ages: A Study of Medieval Apocalypticism, Art, and Literature
From the Inside Flap
"In this brilliant and textured study, Jeffrey Hamburger enters the debate over theology's role in the formation of medieval art and re-centers the argument. Meticulously researched and conceptually very smart, St. John the Divine is a 'must read' for historians, art historians, theologians, and all students of image theory."—Herbert L. Kessler, Johns Hopkins University
"Hamburger creates an entirely new understanding of the images and the persona of John, the divinized Evangelist, during the Middle Ages. A beautiful and masterful book."—Niklaus Largier, University of California, Berkeley
"In this enormously erudite and stimulating book, Jeffrey Hamburger has once again demonstrated his mastery of the central issues concerning medieval religious image-making. Hamburger makes a brilliant, compelling, and very timely case for the reinsertion of theology into the study of this domain of art. His mastery of the sources, tireless unearthing of new and unexpected visual material, and judicious and attractive writing will ensure that this text remains not only an important reference point for the study of medieval religious art, but also a dazzling starting point for future debate."—Paul Binski, author of Westminster Abbey and the Plantagenets: Kingship and the Representation of Power 1200-1400
"Analyzing an astonishing range of visual examples, Hamburger unlocks a newly discovered door in heaven, revealing the crucial role John plays in medieval thought and art as deified Evangelist as well as apocalyptic prophet and beloved apostle."—Richard K. Emmerson, author of Antichrist in the Middle Ages: A Study of Medieval Apocalypticism, Art, and Literature
From the Back Cover
"In this brilliant and textured study, Jeffrey Hamburger enters the debate over theology's role in the formation of medieval art and re-centers the argument. Meticulously researched and conceptually very smart, St. John the Divine is a 'must read' for historians, art historians, theologians, and all students of image theory."-Herbert L. Kessler, Johns Hopkins University "Hamburger creates an entirely new understanding of the images and the persona of John, the divinized Evangelist, during the Middle Ages. A beautiful and masterful book."-Niklaus Largier, University of California, Berkeley "In this enormously erudite and stimulating book, Jeffrey Hamburger has once again demonstrated his mastery of the central issues concerning medieval religious image-making . . . . Hamburger makes a brilliant, compelling, and very timely case for the reinsertion of theology into the study of this domain of art. His mastery of the sources, tireless unearthing of new and unexpected visual material, and judicious and attractive writing will ensure that this text remains not only an important reference point for the study of medieval religious art, but also a dazzling starting point for future debate."-Paul Binski, author of Westminster Abbey and the Plantagenets: Kingship and the Representation of Power 1200-1400 "Analyzing an astonishing range of visual examples, Hamburger unlocks a newly discovered door in heaven, revealing the crucial role John plays in medieval thought and art as deified Evangelist as well as apocalyptic prophet and beloved apostle."-Richard K. Emmerson, author of Antichrist in the Middle Ages: A Study of Medieval Apocalypticism, Art, and Literature
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