Free PDF A Study of Vermeer, Revised and Enlarged edition, by Edward Snow
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A Study of Vermeer, Revised and Enlarged edition, by Edward Snow
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Edward Snow's A Study of Vermeer, first published in 1979 and here presented in an expanded and elaborately revised version, starts from a single premise: that we respond so intensely to Vermeer because his paintings reach so deeply into our lives. Our desire for images, the distances that separate us, the validations we seek from the still world, the traces of ghostliness in our own human presence—these, the book proposes, are Vermeer's themes, which he pursues with a realism always in touch with the uncanny. As Snow traces the many counterpoised sensations that make up Vermeer's equanimity, he leads us into a world of nuances and surprise.
A Study of Vermeer is passionate and visual in its commitments. Snow works from the conviction that viewing pictures is a reciprocal act—symbiotic, consequential, real. His discussions of Vermeer's paintings are conducted in a language of patient observation, and they involve the reader in an experience of deepening relation and ongoing visual discovery. The book has been designed to facilitate this process: over eighty illustrations, fifty-nine in color (including two full-page foldouts), accompany the text so that the details Snow illuminates will be continally in view. Here is a book to enthrall not only students of Vermeer, but anyone who feels the exhilaration of what Cézanne called "thinking in images."
- Sales Rank: #513910 in Books
- Published on: 1994-06-13
- Original language: English
- Number of items: 1
- Dimensions: 9.33" h x .64" w x 7.04" l, 1.33 pounds
- Binding: Paperback
- 224 pages
From the Inside Flap
"An exemplary book about seeing: about what the mind can do with great art. Like the sublime paintings which are its subject, A Study of Vermeer is full of sensual and spiritual pleasures."—Susan Sontag
"A rigorously searching analysis of the psychology and subject matter of a master whose paintings are as enigmatic as they are beautiful. This revision is not so much an improvement of the 1979 text as an elaboration of its insights, and with some very interesting reconsiderations."—Guy Davenport
From the Back Cover
"An exemplary book about seeing: about what the mind can do with great art. Like the sublime paintings which are its subject, "A Study of Vermeer is full of sensual and spiritual pleasures."--Susan Sontag
"A rigorously searching analysis of the psychology and subject matter of a master whose paintings are as enigmatic as they are beautiful. This revision is not so much an improvement of the 1979 text as an elaboration of its insights, and with some very interesting reconsiderations."--Guy Davenport
About the Author
Edward Snow is Professor of English at Rice University. He has published interpretations of Velásquez, Bruegel, Marlowe, and Shakespeare, and has translated three books of Rilke's poetry.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By dale campbell
The prints were very good quality
0 of 0 people found the following review helpful.
Five Stars
By wits end
brilliant
17 of 24 people found the following review helpful.
Snow Job
By A Customer
If you like things analyzed in exhaustive detail - to death, actually - Edward Snow's "A Study of Vermeer" is the book for you. If half of what Snow thinks is going on in these paintings is really there, then the mystery of Vermeer's low 30 plus lifetime production of paintings is answered. He was busy spending years planning each canvas to amaze and confound future art historians, critics, and english professors who take a fancy to his work, before ever picking up a brush. Who was Vermeer the man? You won't find it here. What historical, sociological or personal influences shaped his work? Except for brief passing mention of the "vanitas" not a clue can be found in this book. I award him 3 stars because he did motivate me to really, really look at these marvelous paintings to see what he (Snow) was talking about. Oh, and he credited a few of his students for their readings of the paintings during his course on Vermeer at Rice University, which he used in rewriting this expanded volume. Guess he couldn't figure out when the youngsters were serious or just pulling the old professor's leg.
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