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Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O'Keeffe, by Anne M. Wagner
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This original and sharply obser-vant book gives new significance to three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe. Anne Wagner looks at their imagery and careers, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women—the main element linking the three—is as much the index of difference among their art and experience as it is a passkey to what they share.
- Sales Rank: #2424457 in Books
- Published on: 1996-12-20
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x 7.75" w x 1.25" l,
- Binding: Hardcover
- 323 pages
From Library Journal
In this scholarly new book, Wagner (history of art, Univ. of California, Berkeley) skillfully probes and tracks how each of these important American modernists at one time coped with life as both a professional artist and wife of a more famous one. "O'Keeffe's Femininity" demonstrates how infamous she was at rendering body imagery: "to imagine an impossible union?the passionate coupling of hygiene and scatology, the body and its absence." Lee Krasner is shown painting her own way through Jackson Pollock's as well as Arshile Gorky's conventions until she eventually achieved autobiographical essays in paint and collage. Eva Hesse is optimistically identified as an innovative commentator on new sexuality, focusing on her body, but not her body alone. This gendered interpretation of three of the foremost American modernist women artists presents an interesting blend of biographical and historical criticism. Recommended for most academic collections.?Mary Hamel-Schwulst, Towson State Univ., Md.
Copyright 1997 Reed Business Information, Inc.
Review
"A massive enrichment of the field of feminist studies. [Wagner]is a scrupulous historian and a subtle analyst of the visual arts. . . . An important book, which will both art historically and theoretically remap our studies of femininity, modernism, and representation." -- Griselda Pollock, Women's History
"Her excellent description and analysis of individual works will help general readers to better appreciate abstract art." -- Lisa Miller, Bloomsbury Review
About the Author
Anne Middleton Wagner is Professor of the History of Art, University of California, Berkeley. She is the author of Jean-Baptiste Carpeaux: Sculptor of the Second Empire (1990).
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